BIO

Irene Imfeld (b. 1947) is from a small town in Ohio where she walked to school and played in the woods. Growing up in small schools in a small town left her wanting something different but not knowing how to move on. Teachers picked a local college where she received a BA before relocating to San Francisco in 1970.

Irene studied textiles in Berkeley and exhibited throughout northern California. She worked as a freelance graphic designer, specializing in the design and production of books until the early 2000s. In the early 1990s she saw digital photography rising and began to learn about digital printing. When archival inks appeared in 2003 she bought a large format printer and set up her Oakland studio. From 1995–2010, she attended numerous workshops in photography and handmade books, as well as photo reviews. She went on an art exchange trip to Japan; was an active member of SFMOMA’s Foto Forum; and joined the Bay Area Photographers Collective. At BAPC she met Henry Bowles and together they opened PHOTO, a gallery in Oakland 2010–2015. See PHOTO’s exhibits here.

During that time Irene began to alter imagery from her archives by transforming straightforward photographs into abstract studies. In the 2010s she received two funded residencies, self-published a monograph, and exhibited. Her image was chosen by William Wegman as Grand Prize Winner in the 2014 PhotoAlliance competition in San Francisco. The Vacant Nests series was winner of the portfolio competition at Soho Photo Gallery, New York, with a solo exhibit in 2016. Her work was shown in solo exhibits at the Bolinas Museum, the Fresno Art Museum, and the Peninsula Art Museum, all in California. She was a board member of PhotoAlliance, 2015-18.

During the covid shutdown, 2020-21, Irene spent time in the studio making the Memento Mori series, printed on canvas and mounted to wood panels. She also worked on several handmade books and started new 3-D work with the Compartments series. In 2022 she became acquainted with Diane Chung at the Chung 24 Gallery in San Francisco, resulting in curating the Touchstone exhibit in 2023. Following that, Irene participated in a handmade book mini-show at Chung 24 and a solo exhibit at the gallery in 2024.

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The Same Is Not The Same, with images from several series, was exhibited at Peninsula Museum of Art, July–Oct 2019. Listen to interview with artists Irene Imfeld and Charles Anselmo, with curator DeWitt Cheng here. Read the curator’s statement here.